Mystery Books

Mystery Movies

  • Oldboy

    Oh Dae-su is an ordinary Seoul businessman with a wife and little daughter who, after a drunken night on the town, is abducted and

  • The Butterfly Effect (Infinifilm Edition)

    Butterfly Effect, The (DVD)Ashton Kutcher stars as a man who has lost track of time. From an early age, crucial

  • Lost Highway

    Haunting sexuality, ricochet action and fleeting, murderous shadows await you on a journey that begins and ends on the Lost Highwa

  • Jacob's Ladder

    A Vietnam vet, back at home in New York City, finds himself losing his grip on reality, in a horrifying way; only his friend can h

  • Mel Gibson's Apocalypto

    From Mel Gibson, director of THE PASSION OF THE CHRIST and the Academy Award(R)-winning BRAVEHEART (Best Director, Best Picture, 1

  • More...

Mystery Authors

Minette Walters biography

 

 

Minette Walters

(1949 - )

Minette Walters (born 26 September 1949) is an English crime writer.

Her first full-length novel, The Ice House, was published in 1992. It took two and a half years to write and was rejected by numerous publishing houses until Maria Rejt, Macmillan Publishers, bought it for Ł1250. Within four months, it had won the Crime Writers' Association John Creasey award for best first novel[1] and had been snapped up by 11 foreign publishers. With her next two books, The Sculptress and The Scold's Bridle, Walters won the Mystery Writers of America Edgar Award and the CWA Gold Dagger respectively, giving her a unique treble. She was the first crime/thriller writer to win three major prizes with her first three books.

Walter’s themes include isolation, family dysfunction, rejection, marginalisation, justice and revenge. Her novels are often set against real backgrounds and real events to draw her readers into the ‘reality’ of what she is writing about. With no series character tying her to particular people, places or times, she moves freely around settings – a sink estate (Acid Row), a Dorset village (Fox Evil), a suburb of London (The Shape of Snakes) – although every setting is ‘claustrophobic’ to encourage the characters ‘to turn on each other’. Walters describes herself as an exploratory writer who never uses a plot scheme, begins with simple premises, has no idea ‘whodunit’ until half-way through a story, but who remains excited about each novel because she, along with her reader, wants to know what happens next.

Information source: wikipedia
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